Is too much of a good thing, still a good thing? Agate casts doubt on the merits of minimalism.
A necklace with three detachable brooches from 1950s Cartier is for cut-and-paste play with its Garland-style French classicism.
It's BOUCHERON, baby, on a High Jewelry holographic color trip—like a prism, catching light in every single hue. Now, that is a necklace.
Meet Fabien the stone dealer and enter the private world of stone dealing, where—with him, at least—color stones are cult.
It’s time for a glacial diamond drop from London jeweller David Morris, with some brilliant-cut classic flawless whites.
A troubled reader on the verge of divorce asks whether an important gift of jewelry could save her marriage. Agate serves it straight, no mixers.
While art inspires much jewelry creation, at Repossi the Antifer collection inspires artists in turn with its distinctive form, now 10 years since the first design.
