Osmani Tavares Barbosa – Collection CIVC
At Reims Cathedral, Champagne’s Story Told in Stained Glass
Only in Reims, only in Reims. Champagne and church, only in Reims. In the south transept of Notre-Dame de Reims Cathedral, a series of stained-glass windows—three lancets, ten meters high—tell the tale of Champagne-in-the-making.
Jacques Simon was inspired by the stained-glass windows of the Middle Ages featuring guild workers’ patron saints such as Saint Vincent, as well as biblical scenes, notably the Grapes of Canaan.
The story of Champagne begins with the working of the land, tilling its soil, and adhering to the delicate husbandry of the vines: from pruning and desuckering, to lifting and trellising, and thinning leaves to direct the plants’ energy for the fruit.
This and all images below: Michel Jolyot – Collection CIVC
Fermented, Blended, and Aged
This first alcoholic fermentation allows wine character to emerge; formerly done in oak barrels, now in stainless steel vats.
After fermentation, the base wines are ready for blending, as if a fine perfume; this is the art of Champagne.
The blends are bottled, then give a second fermentation where the bubbles become alive, beginning a long maturation period on the “lees”.
All genuine Champagnes must spend at least 15 months maturing in the winemaker’s cellars; in reality, non-vintages spend 2-3 years. Vintage Champagne spends 4-10 years.
Here is the monk Dom Pérignon, a contemporary of Louis XIV, working on the method he elaborated and perfected in the Hautvillers Abbey in 1697, that of Champagne-making, then and now.